Tate Britain
Until 8 August
The curators of this exhibition have an overt agenda. They argue
that the huge popularity of Henry Moore after WWII domesticated his
work blinding us to his dark side. They want to show that his
oeuvre was, as Bryan Robertson says, 'anything but gentle'.
It took me a while to be convinced of the argument, partly
because it depends on the commentary rather than the works. The
exhibition itself contains many of the ...
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