It seems bizarre that Imogen Heap (pictured) was launched to international renown by the mainstream teen-drama The O.C. Lauded by the critics with her ’98 debut, she was something of an indie-queen. Various collaborative projects achieved moderate success, but her solo efforts were stalled by the now-familiar record company bad guy. Then in 2004 The … If you have a valid subscription to Thirdway, please log on to view this content. If you require a subscription, please click here.
